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After
When I read the synopsis, After looked pretty promising, combining the virgin territories of urban exploration to a soundtrack by US electronic act The Crystal Method.
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The Banquet
After its opening 30 minutes, it became clear that The Banquet was transcending its genre's formula.
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Bug
Bug marks the great return of William Friedkin, one of the masters of American cinema.
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Come Early Morning
In Come Early Morning, Ashley Judd is Lucy, a beautiful and washed out woman, a lost soul in some remote Kansas town, who gets drunk in bars and picks up losers for the night
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Days of Glory
Days of Glory is one of these films I would recommend everybody to watch most particularly in France even though it's not a good movie.
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Feast of the Goat
To be frank, Anaconda and Sniper are way more enjoyable and effective than this ballooned attempt at a serious politically-charged oeuvre.
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The Host
By the time The Host hits a screen near you, you may have already heard and read everywhere how great this new entry from South Korean director Joon-ho Bong.
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Kurt Cobain: About a Son
When music journalist Michael Azerrad interviewed Kurt Cobain, he didn't know that these long conversations would become a historical document, as the emblematic Nirvana singer would take his own life the following months.
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The Lives of Others
What makes The Lives of Others such an appealing work is that it manages to convey a message intelligently, without being to pretentious about it.
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Next: A Primer on Urban Painting
In Next: A Primer on Urban Painting, filmmaker Pablo Aravena documents graffiti art around the world, from the gritty streets of New York to the dark catacombs of Paris.
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Transylvania
With a title like Transylvania and the presence of dark princess Asia Argento, you could have expected gothic vampires and a lot of blood getting sucked, but Gypsy Director Tony Gatlif prefers to take us on a harsh road trip.
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Volver
Eternally in love with women, Pedro Almodovar takes up his favorite topic again in Volver, a minor work, on the edge of the fantastic.
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