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 |
Dogville
A true homage to the stripped theater of Bertolt Brecht, Dogville draws its force from faultless acting and writing, served by a mise-en-scène whose genius lies in the capacity to renew a style, avoiding the sketches pre-established by the director in his preceding filmography.
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 |
The Dreamers
From the inside of the apartment to quoting classics, both visually and verbally through the characters constantly referring to films, Bertolucci has built his film like a museum, creating a shrine to cinema.
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 |
Kill Bill: Volume 2
After the martial art oriented first episode, Tarantino has clearly defined the second volume of his epic as a western whose roots are obviously in Italy but also in classic American cinema.
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Nói Albinó
Bathed in a saturated bleaching light, scarce in dialogue and advancing slowly, Nói Albinó is a meticulously crafted dreamlike world, injected with highly precise doses of oddity, poetry and humor.
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