Taxidermia review |
Built around three generations of a family whose members are bound by a particular relationship to the body, Taxidermia tells the story of a lustful aide-de-camp in search of love; his son, the champion of a sport consisting of swallowing the greatest quantity of food in record time; and his grandson, a taxidermist in search of immortality. Above all what's striking is the provocative aesthetic which the director tries to justify with his intention draw a picture of the human heart and its base instincts. A vast syllabus that's unfortunately too unassuming behind a display of scenes each as provocative as the other. György Palfi loses himself in the demonstration of his talents as a director by pushing the aesthetic to disgust and nausea, from sordid sex scenes with repetitive, plunging cascades of vomit, filmed to better splash the audience, and then moving on to a full shot immersion in the eviscerated organs. A show off piece in which Palfi looks after the smallest details, Taxidermia tries too hard to stand out and to present itself as a unique piece by refusing any possible reference in order to convince of its good faith. |
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