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The Pharmacist
Described by its author, first-time director Jean Veber, as a mix of thriller, horror and humor, The
Pharmacist is the tale of an environmentalist whose crusade cuts a bloody path as he murders
high-profile symbols of ecological nuisance.
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The Pianist
Three years after the poor Ninth Gate, Polanski returns with very traditional direction. The Pianist is the academic and literal adaptation of musician Wladislaw Szpilman's memories. Winner of the 2002 Cannes Film festival Palme d'Or.
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The Piano Teacher
Never has perversion been so shockingly real without going for cheap thrills or voyeurism. In this tale of painful love and frustration, Isabelle Huppert plays Erika, a loveless piano teacher who escapes her oppressive mom (Annie Girardot) and working routine by frequenting peepshows. When a student, Walter (Benoît Magimel), unexpectedly falls for her, she finally finds a way to materialize her ultimate fantasies.
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Piñero
Piñero is sort of a poor man's Before Night Falls. The necessary elements to tell the life of an artist are present but the picture lacks focus.
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Planet of the Apes
Who would have believed that an advanced primate civilization primate had developed on the flanks of Mont St-Michel Mount, off the Breton coast in France? Probably not Tim Burton or Mark Wahlberg, judging by their flagrant absence in this new version of Planet of the Apes. .
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Plunkett & MacLeane
A small period piece film (18th Century England) without pretentiousness, Plunkett & MacLeane is inspired by the journey of two highway robbers reveals itself to be fairly boring and ineffective, even more paradoxical for an action movie.
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Poison Friends
The story of a micro-society formed by Parisian literature students and dominated by the most brilliant and charismatic of them all.
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Priceless
Nothing revolutionary or Oscar-worthy here, but the script by writer/director Pierre Salvadori has enough fun with its characters and its setting that you can't help falling under Priceless' charm.
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Princess
Though the project of treating this dark story of revenge is ambitious, the result, unfortunately, does not go the distance.
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The Princess of Montpensier
The Princess of Montpensier is more of a good quality television series, but proves to be a complete wreck on the big screen.
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Promised Land
Promised Land by Amos Gitaï is the second Israeli film of the year to take on the subject of prostitution in modern day Israel.
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A Prophet
While one might have expected another prison movie, A Prophet goes far beyond the limits of this sub-genre.
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Proof of Life
Taylor Hackford's latest film takes a look at a new field in our post Cold War world: kidnap and rescue. Starring Russell Crowe and Meg Ryan, the film proves to be a smart, well acted, compelling political thriller though the plot is not quite as intricate is it could be.
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Punch-drunk Love
Paul Anderson's transparently naïve, yet effective fourth movie, Punch-Drunk Love, is a thoughtful work showing his penchant for film direction.
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Punto Y Raya
Part buddy movie, part political satire, Punto Y Raya follows the adventures of an unlikely duo, a crook enrolled by force in the Venezuelian army and a honest and naive Columbian serving his country.
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Purple Butterfly
Lou Ye, for whom this is the first official production in China after the very notable Suzhou River, delivers a stylized work with a shattering temporal structure, far from a sepia-toned historical reconstitution.
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Push
A lacklusterly accomplished neo-thriller, quasi-superhero action flick.
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Pushing Tin
Paul Anderson's fourth movie, Punch-Drunk Love, is a thoughtful work showing his penchant for film direction.
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